Master wood-carver Kim Do-hyeong in May this year works on a wooden block at his studio in Seoul's Gangseo-gu District.

By Honorary Reporter Debolina Gosh from India

Photos = Kim Do-hyeong

Mokjogakjang (traditional wood carving) in Korea spans many generations and reflects the patience, expertise and knowledge of those dedicated to this craft. Unlike Buddhist statue carving, it is an important traditional carving technique closely connected to everyday life and customs, with significant cultural and art-historical value.

Kim Do-hyeong, a Seoul-based artisan who trained under his father, master wood-carver Kim Gyu-seok, is preserving this legacy as an Intangible Cultural Heritage in this field designated by Jeollanam-do Province. Kim has assisted his father in teaching at the Korean Traditional Craft Architecture School, carrying on the tradition of wood carving into its second generation.

The following are excerpts from an email interview from Aug. 19-21 with Kim Do-yeong on his craft.

How did you get interested in wood carving?

I grew up surrounded by wood and carving tools from a young age, influenced by my father. Drawn to the charm and craftsmanship of traditional wood carving, I embarked on this path and am now dedicated to inheriting and preserving traditional techniques.

Kim Do-hyeong carves intricate patterns onto a woodblock with traditional tools. 

What inspires you when creating detailed traditional patterns?

I am deeply and primarily inspired by traditional patterns and natural forms. I explore the exquisite aesthetics and delicate lines of patterns found in ancient architecture and artifacts such as lotus, chrysanthemum, arabesque and geometric motifs. 

How do you harmonize traditional sculpture techniques with your own style?

While strictly adhering to the archetypes, philosophy and authentic techniques of tradition, I strive to reflect a modern sensibility in the functionality and visual composition of my objects. Building on the technical foundation of traditional wood carving learned from my father, I seek to balance tradition and modernity by simultaneously pursuing sculptural endeavors that allow people to feel and appreciate the beauty of tradition in daily life.

Rectangular tteoksal (rice cake molds) crafted in July 2024 by Kim Do-hyeong with Taegeuk and floral patterns will be exhibited from Sept. 18 through Oct. 31 at his exhibition "One" at Namdo Folk Food Exhibition Room in Gwangju's Buk-gu District. 

What lessons have you learned as an artist and what are your goals?

The greatest lessons I've learned through wood carving are honesty and patience. Wood doesn't take on the desired shape immediately just because you rush it; the result reflects the effort put into it. My goal is to pass on traditional wood carving techniques and cultural heritage to future generations and widely promote the outstanding artistry of traditional Korean woodcraft to the world.

Official poster Kim's exhibition "One," which will be held at Namdo Folk Food Exhibition Room in Gwangju's Buk-gu District from Sept. 18 to Oct. 31. (Namdo Folk Food Exhibition Room)

ljyhwa@korea.kr

*This article was written by a Korea.net Honorary Reporter. Our group of Honorary Reporters are from all around the world, and they share with Korea.net their love and passion for all things Korean.